| 251 |
Through the Eyes of a Boy Who Never Ages, Songs of Adam Reflects a Nation’s Soul |
24-11-2025 |
Digital Media Wing |
Link
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| 252 |
A Journey Through the Edit Table: Sreekar Prasad Unpacks the Craft behind Cinematic Rhythm |
24-11-2025 |
Digital Media Wing |
Link
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| 253 |
Writing is Emotion Imagined, Editing is Emotion Experienced: Raju Hirani |
24-11-2025 |
Digital Media Wing |
Link
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| 254 |
“IFFI is where you celebrate cinema and watch films from around the world”: Director Agni |
24-11-2025 |
Digital Media Wing |
Link
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| 255 |
From Mountains of Tashkent to the Remote Villages of Slovakia, Compelling Human Stories Reach the Silver Screen at IFFI 56 |
24-11-2025 |
Digital Media Wing |
Link
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| 256 |
‘Lala & Poppy’ Pushes the Mainstream Forward: Cast and Crew Share the Making of a Boundary-Breaking Film |
24-11-2025 |
Digital Media Wing |
Link
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| 257 |
Special Screening of restored silent film ‘Muraliwala’ at 56th IFFI by NFDC-NFAI |
24-11-2025 |
Digital Media Wing |
Link
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| 258 |
Cinema, Memory and Legacy Converge as Curtains Lift on ‘Maa, Uma, Padma’ |
24-11-2025 |
Digital Media Wing |
Link
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| 259 |
Three Cinematic Worlds Unfold at IFFI as ‘Nilgiris,’ ‘Mu. Po. Bombilwadi,’ and ‘Sikaar’ Take Centre Stage |
23-11-2025 |
Digital Media Wing |
Link
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| 260 |
Japan’s Country Focus Films “Tiger” and “Seaside Serendipity” Spotlighted in Media Interaction |
23-11-2025 |
Digital Media Wing |
Link
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