| 191 |
‘Dastan-e-Guru Dutt’ Musical Retrospective Brings Alive the Journey of the Iconic Filmmaker |
24-11-2025 |
Digital Media Wing |
Link
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| 192 |
A Journey Through the Edit Table: Sreekar Prasad Unpacks the Craft behind Cinematic Rhythm |
24-11-2025 |
Digital Media Wing |
Link
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| 193 |
IFFI 2025 Day 05: Stories That Move Us: In Pictures — Filmmakers Bring Emotion, Insight & Imagination to #IFFIWood |
24-11-2025 |
Digital Media Wing |
Link
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| 194 |
Through the Eyes of a Boy Who Never Ages, Songs of Adam Reflects a Nation’s Soul |
24-11-2025 |
Digital Media Wing |
Link
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| 195 |
From Trauma to Triumph: The Powerful Story of 12-Year-Old Girl ‘Karla’ Captivates Cinephiles at IFFI-2025 |
23-11-2025 |
Digital Media Wing |
Link
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| 196 |
Truth Meets Tenderness as Pike River and De Tal Palo Stir Hearts at IFFI-2025 |
23-11-2025 |
Digital Media Wing |
Link
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| 197 |
Japan’s Country Focus Films “Tiger” and “Seaside Serendipity” Spotlighted in Media Interaction |
23-11-2025 |
Digital Media Wing |
Link
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| 198 |
Three Cinematic Worlds Unfold at IFFI as ‘Nilgiris,’ ‘Mu. Po. Bombilwadi,’ and ‘Sikaar’ Take Centre Stage |
23-11-2025 |
Digital Media Wing |
Link
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| 199 |
Anupam Kher Illustrates Why ‘Giving up is not an option’ in a masterclass |
23-11-2025 |
Digital Media Wing |
Link
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| 200 |
Women in Independent Cinema Call for Equity, Visibility, and Creative Freedom |
23-11-2025 |
Digital Media Wing |
Link
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